🔥 Intermediate
Lesson 34 of 70

12-Bar Blues

The form, shuffles, turnarounds

20 min

The 12-Bar Form

The 12-bar blues is a chord progression that has been the foundation of blues and rock and roll for over a century. It uses just three chords — I, IV, and V:

Bars 1-4: I — I — I — I
Bars 5-6: IV — IV
Bars 7-8: I — I
Bar 9: V
Bar 10: IV
Bars 11-12: I — I (or I — V as a "turnaround")

In the key of A: A-A-A-A / D-D / A-A / E-D / A-A(E). This form has generated thousands of songs.

The Shuffle Feel

Blues uses a shuffle (swing) feel — eighth notes are uneven, with the first longer and second shorter. Think "da-DUM da-DUM" rather than "da-da da-da."

A common guitar shuffle uses boogie patterns — alternating between the root/5th and root/6th on the bass strings.

Turnarounds

The turnaround (last 2 bars) creates tension pulling you back to bar 1. The classic blues turnaround is a chromatic descent on string 4 or 5 leading back to the I chord — one of the most recognisable sounds in blues.

Tab Examples

Boogie shuffle pattern in A

e|------------------------------------|
B|------------------------------------|
G|------------------------------------|
D|-----2--4--2-----2--4--2------------|
A|--0-----------0-----------0---------|
E|------------------------------------|
Shuffle feel: pairs should be swung (long-short, long-short).

Classic blues turnaround in A

e|----------------------------|
B|----------------------------|
G|----------------------------|
D|--2---1---0-----------------|
A|--2---1---0---0--2---0------|
E|-----------------0------0--|
Chromatic descent, then E to set up the repeat.

Tips

  • Memorise the form: I I I I / IV IV / I I / V IV / I V
  • Use dominant 7th chords (A7, D7, E7) for authentic blues
  • The shuffle feel is essential — practice with blues backing tracks

Practice Exercises

  1. Memorise the 12-bar form and play it in A using A7, D7, E7
  2. Practice the boogie shuffle pattern on each chord
  3. Play a complete 12-bar blues with shuffle feel at slow tempo
  4. Add the turnaround at bars 11-12
  5. Solo over the form using the A blues scale